Archive for category: what goes on

Tonight from 8 pm on RadioJJ a Monkees Marathon…the great "lost" 68 album, 33 1/3 Revolutions per Monkee, Instant Replay,Changes, Justus, Pool It,Then And Now and Good Times………………the Monkees Great Lost 68 lp…..4 sides 1 side each Monkee that was the original plan for their post Head album til Peter left,so using songs recorded 68/69 it was time to compile the lost monkees lp….Micky’s side is quite easy to assemble; dropping the weakest track (“Don’t Say Nothin’ Bad”) and excluding the single "D. W. Washburn" released in June, we are left with six strong songs from the voice that defined the band, creating a side that is quite the psychedelic-fueled Sunshine Pop–an excellent successor to HEAD. We open Micky’s Side with the original 1968 mix of “Through The Looking Glass” from the The Birds, The Bees & The Monkees Delux 3CD. This is followed by his own composition, the politically charged “Mommy and Daddy” to which Colgems highly objected, using a vintage 1969 mix with its uncensored lyrics but the intro taken from the album version, both found on the Monkees Presents remaster. Next is a 1968 mix of Dolenz’s own funky “Rosemarie” taken fromTBTBTM 3CD, followed by the rollicking Leiber/Stoller-penned “Shake ‘Em Up and Let ‘Em Roll”, an alternate mix also from TBTBTM 3CD. Dolenz’s own stream-of-conscious track “Just A Game” is taken from Instant Replay, and his side ends with his truly bizarre but wonderful psychedelic-pop of “Shorty Blackwell”, this being it’s original 1968 stereo mix found on the Instant Replay Delux 3CD.

Peter seemed to be the only Monkee who had problems finishing a side of an album; by the time he left The Monkees in late 1968, he only had a handful of finished songs and a laundry list of unrealized ideas. He infamously spent a lot of work on “Lady’s Baby”, recording four different versions, each with multiple revisions. Unfortunately for this reconstruction, the most final versions of the seven songs he cut only total twelve and a half minutes, so we must essentially use all of it just to complete Peter’s side of the album! In effect Peter’s side seems a bit minimal, meandering and frankly unfinished, but appropriately reflects his folky roots. Beginning with the fantastic “(I Prithee) Do Not Ask For Love”, presented here as an exclusive stereo mix created when the mono vocal acetate mix is synced with the stereo backing track, both found on the Instant Replay 3CD. Following is one of many versions of his own “Lady’s Baby” he cut throughout 1968, this being the overdubbed acoustic Second Version fromTBTBTM 3CD. Following with Peter’s standard spoken-word interlude of “Alvin”, uncredited here but taken from TBTBTM 3CD, flowing directly into the Third Version of “Seeger’s Theme” from TBTBTM3CD. Next is “Tear The Top Right Off My Head”, the acetate mono mix from Missing Links Vol 2 is speed-corrected, with stereo spectrum processing by my friend Skyfinity. Following is the admittedly unrealized Version Two of “Merry Go Round” from TBTBTM 3CD and Pete’s scant side concludes with “Come On In”, taken from Music Box and speed-corrected.

Michael’s side becomes a bit more tricky, since we have a wealth of material to choose from: “Propinquity”, “Some of Shelly’s Blues”, “Don’t Wait For Me”, “The Crippled Lion”, “Hollywood”, “How Insensitive”, “Good Clean Fun”, “Listen To The Band” and “St. Mathew” were all recorded in late in Nashville specifically for the album, not to mention Michael had the TBTBTM outtakes “While I Cry” from January and “If I Ever Get To Saginaw Again” from March, and the HEAD outtakes “Carlisle Wheeling” and “Nine Times Blue” from April already in the can. Here we will pick the cream of the crop and open with his own tribute to The Monkees, “Listen To The Band”, using the original 1968 mix found on The Monkees Present remaster. Following are the vintage 1968 mixes of “The Crippled Lion” and “Nine Times Blue”, both found on the Instant Replay 3CD. The alternate 1968 mixes of the psychedelic-country rocker “St. Mathew” and the Dylanesque “Carlisle Wheeling” from Instant Replay3CD follows, with the side ending with a ride out in the sunset of “Hollywood” from the Instant Replay3CD, but with the channels swapped in order to match the rest of the songs.

Davy’s side is even trickier, as he recorded a vast amount of songs in 1968: TBTBTM outtakes "The Girl I Left Behind Me", "Ceiling In My Room", "Me Without You", "Laurel and Hardy", "Don't Listen To Linda" and "My Share of the Sidewalk" (note we are excluding the "It's Nice To Be With You", which appeared as the b-side to "D.W. Washburn" in June); HEAD outtakes "Changes", "War Games", "Look Down", "Smile", "You and I", "I'm Gonna Try" and "The Party"; and the Bones Howe-produced "A Man Without a Dream" and "Someday Man" from November 1968. Just as the previous LP side, we will take the six best songs from these 15 to make the strongest album possible (or at least the least obnoxious; I will admit a significant amount of bias against this batch of songs!). The side opens with “My Share of The Sidewalk” found on TBTBTM 3CD, followed by the cream of Davy’s crop, the vintage 1968 mix of “Me Without You” from the Instant Replay 3CD. Although a bit cheesy, “Laurel and Hardy” from the TBTBTM 3CD is next, purely because of the sitar and my own nostalgic love of the comedy duo! Of all the original compositions Jones offered during this time period, the least terrible would be the sappy “Smile” and followed by the relentless rocker “You and I” featuring a Neil Young guitar solo, both taken from the Instant Replay 3CD. The Monkees Present 2LP concludes with the Second Version of “The Girl I Left Behind Me”, the very first song recorded during these sessions. This version is sourced from the Music Box set, but includes a reprise of the unfinished tag of “A Girl Named Love” sourced from TBTBTM 3CD and remixed to match the panning of the Music Box mix.